french producer muttonheads, well-known through his tracks, to you, smashing music, ill be there, lone rider, my dance floor recipe and also for his productions with mathieu bouthier, need u, make your own kind of music and remember. today he is back with >ready< that totally sounds like mutthonheads vibes...enjoy !

this third release is finally lead by its mastermind monsieur claude monnet.the pioneer of ethnic and exotic contaminations creates a sort of bridge between ancestral hypnosis of african tribal movements, haitian voodoo incantation and the third millennium dancefloors. a strong cascade of rhythm modulated by a deep and vibrant drum framing a mysterious dialog between an imaginary witch doctor and a persuasive feminine voice and bringing the listener in a state of trance able to carry body and mind away. monnets lesson sounds highly clear, few elements developed with masterful creativity and an unconventional dealing of music composition make at its best the real essence of house music. firmly balearic approach

the long awaited sequel on abschuss records is ready to take off. expect the usual weird and drolly sounds combined with a monster synth and catchy vocals. frank kvitta escalates the pace a bit more and drops with his wik it up rmx a rocking monster on the flip. on top you will get some phatt bass on b2

incl mixes by in flagranti & david glamour girls!! skylax records, the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears ! for the 9th release, the crew decided to bring you guys a brand new track with a name that i guess speak for itslef, >metallika<, a fusion between disco (cowbells, bassline), italo (the arpeggio !) and electro (check the minimal-maximal synths) with an unforgettable melody that will remind us maybe in some ways alter egos rocker track

the title track recalls those half forgotten dreams of positivity and optimism inspired by early us house music… a nostalgic arrangement of arpeggiated synths, high string lines, analogue drum machines and a 1980s vintage, new order like stepped bassline. housemuzik 1.2,3 takes us into much dark territory, dragging a similar palette of sounds into a dense psychedelic mix of acid guitar, pitched down demonic vocals and disorientating spacial effects. dont listen to this with the lights off! fajr dub is an epic, stoned dub collage built around classic space echo delay & feedback tricks, spectral voices and a shifting synth bass pattern, all underpinned by a soft pulsing backbone reminiscent of rhythm & sound productions.

really mindblowing shit from the likes of the >historyman<, mr, joerg henze. bringing back his gecko-moniker, he created two weird, swirling techtracks, ranging from minimal techno to late afterhours-sounds

capture records was born to deliver deep house music. deep grooves and deep emotions. the founder of capture records has a great passion for music and through this passion a musical energy is formed to capture the moment and memories of the music that moves us. its not all about the music but sounds in a particular song and how we translate them into feelings. its all linked to certain parts of our lives and how we relate to them. its a memory, a connection, a crushing feeling, and a state of mind. so after a while blueless is back with her latest single… house music the way house music is supposed to be…

be is from manchester. his music has no equals. here is how be describes his superb disco sound. each day brings inspiration. people, words, skies and sounds form the solid foundations of the personal experience that be uses to express the abstract ideas drawn from these interactions. a deep love for soul music, jazz, funk, disco and electronic, combined with a respect for those who have gone before and created allows be to embrace performance and production with an open mind. experimenting with recording techniques, sampling, direction and writing, be works with music as a dj and artist to express a universal message that can be felt by anyone who listens.

slamming nice price triple pack, contains syndikaat 001, 002 & 004... top phunkin minimal techno

sheldon romero is back in tha house. dirty things, dirty beats, dirty synths, sexy music! sheldon combines organic elements with electronic sounds and creates a high quality house tune. sebastian gnewkow (musica diaz ) and norm (caballero / king kong rec.) teamed up for an outstanding dirty electro remix. also you find a brilliant remix by sheldons cousin jorge jaramillo on the vinyl.

wind of change is a massive slammer that already proved itself as having a huge impact over dance floors across the globe, with its twisted trance melodies, stable groove and electro and house influence, incl. a powerful remix by the amazing israeli duo brisker & magitman, logiztik sounds then turn in a tech prog stunner!!

after the hugely popular conf006 (inc bitch fuck) comfortable records returns with three choice underground cuts. 76-79 (aka label owners vigo & tomski) show they are adept at creating 3 totally fresh and edgy house cuts that will appeal to a minimal or tech house floor. however if house/minimal is not energetic enough for you, check >six ten< for a record that llies halfway between techno & house & is layered with some very nice old school sounds. this ep really breaks the mold!! in the past when these artists have released tracks they have had a massive amount of praise from the likes of laurent garnier, rob mello, mr scruff, charles webster & fabrice lig. this release is a prime example of why they deserve such high merits & is destined to becoming just at large as comf006

golem episode 3 : he has now left the earth to conquer the universe. and this 12inch deliver us the soundtrack of this space odyssey ! on a side youll find spacerock. this time, contrary to what you could think when youre listening to it, its not an edit of a forgotten italo b-side but an original track done this year by a famous french producers duo. no need to launch the worldwide nerd contest to find who did it in the late 70s.... on b-side, a.l-t. give us 2 new edits. reaching to the sky is an early electronic piece, hypnotic and completely weird with its guitar >à la morricone< ! and cosmic rocket, with its powerful drum and its siren all along the track, prove us how a 70s psychedelic library music production could be a dancefloor filler ! an epic song which sounds like chemical brothers produced by vangelis !

we are back after the ibiza season with some hot new material. once again, our guest is a good friend of the fresco family, les schmitz, resident deejay at amnesia ibiza and one of the most important artists on our label, plus david and julio who have been playing at cassagrande parties as resident djs every friday morning at space ibiza ... we have a powerfull ibiza team .. with lots of ideas that you are going to enjoy in our two new tracks: positive is a huge track that has incredible power of attraction, easy sounds and a lot of magical grooves to move your body on the dance floor and an incredible build up that brings you to the top

contains 2 great progressive house tracks with some great melodic influences. stoomboot is one you wont forget fast and baksted is a pumping track that will get you hooked straight away. filthy sounds and roling beats will turn every dancefloor upside down!

made by spoiled bratz and with support of dj hardwell. again with very nice eclectic club sounds!

the berlin jack-of-all-trades jaxson comes around the corner with his first monster 4 tracker dipshit mini lp. besides his production skills jaxson runs some very famous clubs, parties and performs extraordinary sets as a dj. jaxson has been running the label cadeaux, being the first to release debuts by artists like paul kalkbrenner (as paul db), sascha funke or dave dk. after some selected releases on get physical, pm and freakwaves¬, jaxson shows his love to minimalistic-technoid sounds, with this dance floor sweeper and his broad variety of skills. dipshit, cookie crawler and boulin smakka, each song is a must play. dont miss this hilarious production

scott wozniak gets large again with his follow up ep to breathe. stand up is the title track, and has all of the trademark sounds and pads that have made woz the man of the moment. a spoken word is featured here, along with a mr v inspired chorus and fantastic bassline and beats. time and a red sky is the 2nd cut and is gritty and techy, perfect for harder dance floors.

being compared to &#147,dance machines, fuck friend is easily recognisable thanks to their enormous sounds between lo fi and post punk, metronomic distorted drums, some vintage keyboards, very heavy bass lines, and bitchees crystal like voice singing melodies inspired by what they call candy pop music, meaning cute songs sang by cute people. despite the projects young age, the band is already being supported by some of the greatest artists and djs: soulwax, digitalism, erol alkan, brodinski, css, bonde do role, mr flash, the teenagers, yuksek, mixhell, poney poney, benjamin diamond etc. fuck friend has been remixed by brodinsky & yuksek, mixhell (aka iggor cavalera from sepultura!) and css. dance machine is the word!

peter introduces himself like this, >ive started making music with an oric-1 home computer in the middle of the 80ties, later the commodore amiga was the flagship and then....the casio fz1 and now i use the galaxy of software and the korg mx1, roland tr727, roland jx8p, korg ms20, yamaha tg33, yamaha dx7 so i guess that it makes things clear, peter is one of these producers that uses older analogue machines along more recent software gears. and you can sure hear it in its productions, it sounds huge, powerful while style wise keeping things on to the soul filled part of the dance floor. peter delights us here with two stunning tracks that contain modern beats structures echoing rather old school house patterns and hooks. as always with peters incredible music, originality, surprises and ingeniosity are 100% at the rendezvous

jacek sienkiewicz presents another unbelievably complex experiments in beat programming and string arrangement. this time, polands top techno producer known for his storming live sets goes over the edge, stretching minimal techno formula far beyond its limits and comes up with two epic tracks of enormous proportions. >the one< starts immediately with a stainless steel kick, but what seems to be a digital techno groove soon develops into a cosmic fairytale, with layers after layers of strings, bells and unidentified, but strangely organic sounds, executed with breathtaking complexity and almost obsessive attention to every tiny detail. sounds and emotions embraced within its almost 10 minutes are enough to fill a couple of albums.

music, i need more music, music and more … with her previous eps >ultra glamour<, >hellraiser< and last but not least her collaboration with anthony rother on the >dont worry<-remix, xenia beliayeva, being in her mid-twenties, has established herself as an important representative for the new label sounds of datapunk. powerful and full of energy, beliayeva flirts with industrial noise but still remains full of emotion. this is also valid of course for her current single >music<, a co-production with the milan dj and producer dj remo, who until now has provided furore above all in his collaboration with singer chelonis r.jones, among other things on giant wheel and dance electric, (>black sabrina<, >empire<). >music< established a significantly pop music related side of beliayeva, certainly her most catchy datapunk release to date. on the flipside christophe dallarca aka kiko, who became a fixed component of the datapunk circle since his >tragolta<-ep, is brilliant with an energy loaded remix

just touched down on the runway and pulling straight into the music response exec s arrivals is a brand new label, imprint music. founded in early 2007 by dj and producer joshua hewitt. based in manchester, england, the label has been set up with the aim of injecting a new life into the underground house scene and to keep the house music we all know and love alive. imprints music policy is to put out the freshest house tracks ranging from the deep sounds of the undergound, to more straight up jackin music. the underlying sound will always be driven towards deep, jazzy, tracky and funky house music. imprint music is concentrating on only bringing you quality house music from both renowned and up and coming artists from around the globe.

>after his very well acclaimed debut on orphanear with >jujuy&salta< and his impelling and chartbreaking remix for tocotronics latest 12 >imitationen<, pawel is back with >gabriel< on orphanear. both tracks have it in oneself to provide the autumn soundtrack for deep and dark house loving clubs all over the globe. the a-side with >gabriel< mixes classic house-strings with some xylophone and bell-sounds rather known from hamburgs scene around dial and smallville records. these elements built up in beautiful layers to culminate in a furious rather ironic break. the b-side with >early bird< begins with an airy beat that brings pawels 2004 vocalhouse lover >grab it< back to mind. after the softer intro the track mutates into a synthspiral which home has already been defined by pawels 12 >ceramic<. some abandoned industrial city in the north of the united states. a timeless record.<

early supported and played from josh wink (ovum/pokerflat) and marc romboy (systematic/herzblut)! nicolas stefan (mbf/polo rec.) presents 2 new tracks on his mothership karatemusik >more letters like this< and >080four<! warm and analogue sounds mixed with deep grooves, a little bit like metro area. on the flipside, herbert boese from jaktronik comes around with his remix from >more letters like this<. a great piece of detroit-influenced music with hypnotic buildups to the top!

delete strikes with 4 perfect tracks to get caught by his music. on a1 bobby trap is a huge piece of click techno with a dub deep bass subtle darky sounds and a heady grabble distord melody giving an incredible tension on a2 whos the big boss is a minimal darky tek track deep and groovy check out this delete crispy melody b1 is black mamba with the sublte use of flang’ fx on heady melodies in a dark atmosphere and to complete this ep a rollin funky tech house piece brilliant!

we are happy to announce a new artist on square ltd. max walder brings us a huge neo jumpstyle/techno track, which is supported by dj ruthless, manu kenton, marco remus and many more. these tracks have powerful exploding sounds like you never heard before.

e-motionz introduces charly m. to its audience with this three-track release. the original edit is deep emotronic with sweet filtered sounds on top of a pounding sub-kick. berlin based mood music owner sasse makes extensive use of the original elements on the a-side, but not without adding a twist to it as only he can. nine minute of divine cruising beats. making things complete, novak & therm sign up for a more up-down-up rework that is more violent than you would think after a first listen. supported by sian, michel de hey, marcel janovsky

incl. jay tripwire remix !! debut of stockholm based duo groovenauts alongside veteran charlie king in >brighter days<. together they have fought to maintain the original underground feeling of house music! on remix duty west coast veteran jay tripwire continues in a rich vein of form after releasing his album >gemini soul< on the impressive nordic trax! jay is culled in to provide a tripped out space workout providing us with a deep vocal and dub which makes us reminisce of them old herbi analgoe sounds!

known as one of the leading booty turntablist djs outside of detroit, dj guy formerly released wax and djed as one half of londons non stop djs. his previous releases have been given #1 spot charting by dave clarke, received global radio play, and received quotes such as >the best record released in 2006 and ill say in the past 2 years< (dj koyote - diamond grills, paris). global fire is a new label for 2007, dedicated to releasing a spread of the best in club music. style-wise, the label will cover detroit ghettotech, baltimore club, chicago juke and more, with releases by a wide variety of artists both firmly established and previously unknown. the ep opens with >bucked up<, an all-new booty version of young bucks >get buck<, the remix keeps the outrageously thuggy bassline and vocals from the original, and adds some cracking booty drums. >who wanna< starts like a dj tool with shades of steve poindexters >work that mutha fucker<, and turns into a full on ghettotech track with vocals to match and a big old growly bassline that builds throughout. >the raw< is a thumpy dancefloor workout that starts dumb, and gets dumberer when the wonky synth comes in. >the runner<: heavy on the melody, beatboxy beats, sweepy organ, phasey strings, cheeky bassline, and previously heard being used to great effect on the paris goon & koyotes classic diamond grills mix cd, and more recently on detroits dj godfathers serato presents dj godfather: for the freaks, the first ever serato-commissioned dj mix. last but by no means least, >big pussy< comes with a stupid funky bassline, warped bass, electro sounds, and vocals about a big cat. with big titties

coming up with a mixture of drumfunk elements, dubstep vibes and old school sounds, martsman is the new kid on the block that will prove you wrong if you thought youve heard it all in drum & bass. >kontamin< is a journey back to the good old days when jungle didnt have the obligation for constant climax that is found in most drum & bass tunes today

as one of the fundamental pillars and driving force behind some of the key projects of austrian electronic dance scene in the last two decades, vianna based philipp m. straub established himself as a household name in the world wide techno circuit, especially in the heart of europe. this 2-tracker is a reflection of his unique blend of electronic sounds stretching from down-tempo, chill out and broken beats to proper club techno - tip!-

already hammered by the likes of stephan bodzin, martinez, lützenkirchen, marc romboy, pete heller, freeform five, oliver huntemann, nick thayer, deepgroove & laurent garnier !!! hell yeah is proud to present minimow, the minimaltechno inspired project from london based dj/producer mowgli. after successful releases and remixes for mantra vibes, finger lickin, used & abused, mowgli has developed a more techno approach to his funky, groovy fidget house sound which minimow - >wheres my pill?< is the first output, it sounds cool and different, if you equally like switch and minimal, try this out! in order to increase the techno factor we have hired florian meindl (stil vor talent, trapez, flash, kling klong) remix duties, his trippy take on the original is a sure-sureplayer

with a blend artpop-disco-industrial-techno-newwave-electro-go-go punk and live vocals this duo creates a distinctive, futuristic hybrid of dance. the compelling mix of electronic punk features both jan & ariels emotive vocals, adding a taste of yesterdays anarchist sarcastic flavor, but never interferes with the music. jan as progammer and composer uses as many analogue sounds as possible, bringing musicians into the studio, creating a virtual band. featured on various tracks of the up and coming debut album, >bang!< is the guitar mastership of the legendary east bay ray of the dead kennedys. supporting members are johann bley on drums (ex-member of kmfdm & juno reactor) jasper scholtz, bass guitar and vocals

finest phat groovy house sounds! hot! for herbert / maw / todd terry fans...!!!

the second part of the three-ep series celebrating level records tenth anniversary >top ten 2/3<, is literally a miniature world tour on vinyl. ferenc vaspoeri kicks off with an escape from the city and deep into hungarian forests yet maintains a metropolitan perspective with his harmonic, almost texture-free sound design. next on the map is hidenobu ito, who summons ghosts in tokyos asakusa district with the spookiest house sneaker released on level records to date. on the flipside, it s back to duesseldorf, germany, with local legend antonelli electr. throwing on a twisted chicago-esque house tune before fax from mexico invites us to his mountainous home with a miracoulous track which may surprise fans of his earlier works with electric guitar sounds over a massive and insisting groove

rave-beeinflusst, in hip hop gebadet & äußerst dancefloor-tauglich. biestige vocals, schmetternde drums & kranke sounds synthetisieren sich zu einem kinnhaken gegen den einheitsbrei im club. mit ben mono mix

breakdance has all the early electro hip hop influences but santos brings a classic sound bang up to date. oldskool drum sounds groove alongside acid bleeps, crunchy synths and squelchy bass. any b boy or b girl will be body popping along to this for sure. its been included on a new elite force compilation for lot 49 due out in november so its looking to be a biggie already. the echobox is a proper twisted club banger that is purely designed for peak time devastation. the tribal groove is crushed to bits as are most of the elements, which is a recipe for intense gritty head twisting.

number 1 steve bug charts !!! redshape is len fakis musical partner of podium #05. with releases on delsin, styrax leaves and present he is regarded as on of the most exciting newcomers on the dance music circuit. few producers have achieved to delevop such an individual approach to detroit techno, few musicans managed to rough it up so relentlessly. redshapes track is an interminable battle against stagnation, each bar of the track bursts with musical creativity. on >whats on a moogs mind?<, this genre building synthesizer turns into a brain. the moog overrules all conventions of musical form, the machine becomes an unpredictable furious beast. the 808 cowbell develops an uncanny, emotional quality. a techno track as gripping as a cliffhanger. len fakis >odyssee ii< relates perfectly the dramatic tension of redshapes track. the absorbing sounds just soaks you in. through the whole accoustic journey of the track, you feel his sense for the special athmosphere of the berghain which reminds clubbers of a medieval cathedral

a: >only lycra<: a beautiful deep and warm sounding melancholic dub train is bringing you trough this mysterious ,secret squonky night, with jazzy harmonies,tribal rhythms and some laid back minimal roots. you would not want to get out of it...!! b: >frispo<: synthetic slapping bass line,dark stomping modulated beat sounds, a tooly but functional character and some duby vocal cuts pushing it consequently to the dance floor

newcomer johnny d, comes with his first single release on 8bit records. well known from his release on oslo records a few month ago his last single >manipulation< was featured by a lot of well known artists like ricardo vilallobos, richie hawtin or luciano. >walkman< sounds a bit like an oldschool chicago house track. 100% coolness and satisfaction guaranty when you play the it. on b1 >dejau vu< is another excellent deep frisky track, based on a nice chord line which finds a finish in a playful tricky guitarsolo. b2 is a walkman remix from ray okpara. he tuned the track in a prime time killer ones. big groove reduced to the max!

volume 3 of the hed kandi dj sampler feat soul survivors feat angie brown, ron gelfer feat tiger lily, paulo colina and shaolin masters vs the fixations

new wave disco sounds incl divider remix !!

supported by james holden, loco dice, tom clark, gus gus, jeremy p. caufield !! a tolerant dub tek track flued with warm bass and indricated sounds. argy from pokerflat takes aether on a tech-house direction while leon segka has reconstruct the track using its musical material beside his technoid percussions

limited 7inch edition including 2 brandnew tracks and 2 remixes - top review debug magazine! electroreptil and politicide.net proudly present: electro-punk vs. rnb-techno! well known for their releases on different labels like gung-ho, family records, dachstuhl and politicide, pantherklub and florian filsinger serve you an energetic mix of catchy hooklines, beautiful melodies, dirty electro and stombing techno-sounds. awesome rockin stuff!

tommy bones always tries to create music that is timeless... the future classic e.p. captures the raw sounds that house music was built upon with a new edge. this is absolute top house music once again on franck rogers real tone imprint

f?r ihr f?nftes album zog hamburgs beliebte ska-punk-band in die cyclon sounds studios von coney island nyc, wo sich die hardcore- produzentenlegende don fury (sick of it all, gorilla biscuits, helmet) der band annahm.

ltd one side releases from the studios of scott grooves. scott fuses multi-layered rhythms that are definitely modern between house and techno but echo ancient drum sounds with broding atmospherics, dramatic synth sounds and powerful bubbling analogue basslines. three ace versions that explore the territory between house and techno and will sit nicely in your set between ame, osunlades more abstract beat-orientated stuff or the lastest offerings from ibadan

goldfish und der dulz are now dropping a bomb that will outshine the others these two awsome guys are cooking up their next soup on dessous recordings. 13 klaenge, is a dark, spooky track, catchy and hypnotic, and takes you on a real psycho trip. warm sounds on a cold tight beat, a hihat from somewhere beyond and a melody that sticks in your head for hours. chirocco is housey and definitely focussed on the floor with sharp pushing hihats and a weird melody